夜车 2007

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玛妮·维特森（法米克·詹森 Famke Janssen 饰）的丈夫麦克（Michael Paré 饰）是一名在外贪污受贿、在家虐待老婆的警察。由于不堪忍受长期虐打，玛妮最终将丈夫杀害。经过长达七年的牢狱生活，表现良好的玛妮获准在纽约的家中继续剩下六个月的刑期，期间她必须佩戴电子脚铐，以确保她不会超过100英尺的活动范围。然而有限的自由并未使她感到更多欢愉，她的行动被电子脚铐所限，丈夫生前的搭档山克斯（Bobby Cannavale 饰）对她憎恨不已，而这幢空旷已久的房子内又充满了复杂矛盾的回忆。玛妮将房子打扫一新，试图展开全新的生活。但她慢慢发现，不仅痛苦的过去在牵绊着她，连丈夫那不曾安息的鬼魂也逡巡四周，纠缠不已…… ©豆瓣

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明朝嘉靖末年，锦衣卫贺英（甄子丹 饰）奉命从天竺运回无价之宝“时空金球”，他一心为朝廷却不想遭到了兄弟的突袭。老大元龙（任达华 饰）带着聂虎（喻亢 饰）、萨獒（王宝强 饰）前来捉拿，为的是一宗针对贺英的冤案。兄弟四人搏斗之时突然地动山摇，巨大的雪崩淹没了他们。可是醒来后，贺英发现自己居然已经到了400年后的香港，对现代社会一窍不通的他偶遇了夜店咖小美（黄圣依 饰），闹出了不少笑话，但在小美的帮助下贺英学会了使用高科技产品，逐渐变成了都市型男。正在二人感情升华的时候，“锦衣卫三人组”也穿越到了现代并且继续执行自己的使命，与此同时不明真相的警方也在捉拿贺英这个“特异功能”人士，贺英遭遇到了400年来最大的挑战。本片改编翻拍自1989年元彪、张曼玉、元华主演，霍耀良导演的影片《急冻奇侠》。是王宝强第一次演出武侠功夫片。©豆瓣

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　　一个年轻的大学生寻找一个安逸的地方，让他能集中精神在一篇重要的论文上，却沦落到在一个阴暗的地下室成为家庭教师的下场。其工作是给一个看起来比实际年龄大得多的男孩克劳斯授予一些基本的课程。更奇怪的是，他的父母始终坚信，只要遵守那个依附在母亲腿上的外星人的指令，德国出生的克劳斯有朝一日便能通过自己的天赋和努力成为美国总统。在故事的结尾，克劳斯终于醒悟，违背父母的意愿离家出走，而大学生却似乎被这恐怖的地下室同化，成为“家庭”中新的一员。（豆瓣电影字幕翻译2.0小组）

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《ClearMind》是一部惊悚喜剧，讲述了虚拟现实疗法的阴暗面，以及使用模拟生活来报复现实的危险。

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在阿富汗崎岖山脉上空执行最后一次战斗任务时，皇家空军战斗机飞行员凯特·辛克莱中尉的喷气式飞机在叛军最危险的据点之一上空被击落。当叛军在坠机现场追捕她时，她躲在一个废弃已久的地下掩体中。叛军追踪辛克莱进入掩体深处后，意外唤醒了一种名为“掠夺者”的致命人造生物武器——半人半外星人，渴望人类的血肉。她惊恐万分，看着这些生物将追捕她的人撕成碎片。辛克莱侥幸逃脱，被派去寻找她的美国陆军巡逻队救起。当地美国陆军前哨“阿帕奇堡”的指挥官罗伊·芬奇少校和他那支勇敢的士兵组成的杂牌小队难以相信这些山里一直隐藏着变异怪物。他们不知道她已经被追踪到基地，数十只凶猛的生物已经向他们蜂拥而来。

简介：杀人越货的罪犯连续神秘死亡，人们将替天行道惩治恶人的基拉奉为救世主，警方对之束手无策。专门解决奇诡事件的天才少年L推断，基拉有97\\%的可能性身在日本，于是他离开洛杉矶飞赴日本。临行之前，L心中浮起淡淡的预感——自己可能再也回不来了。
L与基拉——夜神月的展开了正面交锋。这时，泰国的一个小村庄被人从大地上抹去了痕迹。L并不知道有一桩足以毁灭世界的重大阴谋正在酝酿之中。

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抗战期间青楼老鸨金妈妈带领手下的姑娘积极抗日，正应了那句话“国家兴亡匹夫有责”。

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查理和她的朋友来到一个废弃的仓库，举行一个即兴派对，然而他们有所不知，危险正在接近。

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电影讲述的是加濑亮出演的日本男人前往首尔，试图与他心爱的女人复合的故事。

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彼时，还只是一个乞丐的少年陈皮阿四因一句谶语决定开始 “一百文，杀一人”的买卖。

简介：Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor